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The boosts helped give definition to the sound and gives it a heavy rock sort of weight. The lows that may have clashed with the bass have cleared up considerably. Last, we will use Peak on the left to boost around 200Hz. We will also boost around 1.5kHz using Peak on the right. We want a more rock sound and we will try cutting around 500Hz using the DIP section. As we will be looking at the mid frequencies, we will be using the MEQ-5 again. Th hihat and snare have more presense to them as well and we have a very dynamic drum sound. We still have plenty of low end while making it tighter and focused. Lets hear how it sounds after applying the plugins. This has an incredibly smooth sound as well. Peak on the left boosts the mids so we’ll aim for around 700Hz to add some flavor to our snare. It has a smooth and natural sound without being too piercing.īecause the EQP-1A can’t edit mid-range frequencies, lets make use of the MEQ-5 as well. Turned left it is sharp, so we will slightly widen it and boost. KCS is the frequency, so we will try aiming around 10kHz. We will control it using the 3 knobs in the middle. Though you may think boosting/cutting would cancel out if used together, because they apply to slightly different frequencies, you get a unique sound from it.。 The advantage of the EQP-1A is the ability to simultaenously boost and attenuate low frequencies. Lets start by adjusting the low end of the drums using the EQP-1A. Lets go right into editing the drum bus sound. Uses ATTEN SEL (frequency), ATTENUATION (cut). Uses BOOST, ATTENUATION (cut), CPS (frequency). Lets try these on a Drum Bus and Guitar Bus.īefore diving in, lets take a brief look at what the knobs do on the EQP-1A. Known for his work with U2, Lady Gaga, and the Rolling Stone, the engineer Jack Joseph’s immaculate condition Pultec equalizers were faithfully remodelled as these plugins. First we will take a look at the vintage EQ included in the Platinum bundle, the Puigtec EQP-1A and MEQ-5.